Richard Hecht told CNN that Israel was focused on the current fight and protecting civilian lives. The IDF has repeatedly dodged questions about whether Saturday’s events constitute an intelligence failure. “This is a Pearl Harbor-type of moment for Israel, where there was reality up until today, and then there will be reality after today.” It’s the entire defense architecture that evidently failed to provide the necessary defense for Israeli civilians,” said Jonathan Conricus, a former international spokesman for the Israel Defense Forces. How could a terror group from one of the world’s poorest enclaves manage to launch such a devastating attack? And Israel has not seen this kind of infiltration of military bases, towns and kibbutzim since town-by-town fighting in the 1948 war of independence. It has been more than 17 years since an Israeli soldier was taken as a prisoner of war in an assault on Israeli territory. The questions for Israeli authorities are legion. Israel’s military on Saturday found itself caught off-guard, despite decades in which the country became a technology powerhouse that boasts one of the world’s most impressive armed forces and a premier intelligence agency. ![]() Though Israel is no stranger to terrorist attacks, Saturday’s assault was unprecedented – not least because of the lack of warning. They were exactly who they were going to play on screen.Netanyahu says Israel is 'at war' as Hamas launches surprise air and ground attack from Gaza “They were able to sneak up on us without Dan ever even seeing it or hearing it. She describes one particular moment during one of Trachtenberg’s visits to the training ground – a space created from moving boxes set up to mimic trees and other obstacles of the forest – where the cast put their newfound stealth skills to the test as Trachtenberg, Myers and Starblanket discussed the progression of their training. “They had to train tactical, they had to be able to sneak up on people, they used their sign language to communicate with each other,” says Myers. In addition to learning to use traditional weaponry like a bow and arrow or a lance, Midthunder and the actors playing Naru’s fellow hunters also needed to learn other techniques prescriptive of traditional Comanche combat styles. “Every day was so physical,” Myers recounts of the four to five weeks of the cast’s combat training. That's what made us so powerful because we were mobile.” “We were one of the first tribes to have horses. ![]() “When I first read the script there were no horses,” says Myers during our interview. Myers highlighted the importance of paying homage to the historical Comanche use of horses. ![]() There’s a particularly heart-pounding scene in which Naru’s brother Taabe (Dakota Beavers) battles the Predator atop a horse acquired from a camp of hostile French fur trappers. Under the guidance of Indigenous trainer Kevin Starblanket, Midthunder and crew learned traditional Comanche combat and tracking techniques, including the use of Comanche sign language and the ability to fight from horseback. In an exclusive behind-the-scenes clip provided to IGN (which can be viewed via the player above or the embed below), Myers, Trachtenberg, and star Amber Midthunder describe the cast’s extensive training ahead of filming. Offering insight into everything from the Comanche language to Naru’s medicinal concoctions seen throughout the film, she sat down with IGN ahead of the film’s Blu-ray release to discuss the process of capturing Naru and her tribe with care.Ĭombat was a massive part of reflecting 18th century Comanche culture accurately. Myers, a member of the Comanche and Blackfeet nations herself, joined as creative producer and acted as an Indigenous cultural consultant in the development of Trachtenberg’s Predator entry. “It shows that Native language belongs in film, it shows that it can be done.” “There's never been a feature film at the time of its release a full Comanche dub or a full Native language dub,” says Prey producer and Comanche cultural expert Jhane Myers of this history-making version of the film.
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